10/5/13

Hi ON Pixels Explorations : Volume 6 Folk

HOPE 6 Folk

A change of mood for tonight’s exploration.
Enjoy

Track List

1969:Townes Van Zandt – Our Mother the mountain – from the album Our Mother The Mountain
1973:Terry Reid – Seed Of Memory from the album Seed Of Memory
1973:Nick Drake – Sunday from the album Bryter Layter
1985:Death In June – Leper Lord – Nada!
2001 : Current 93 – All the pretty little horsies from the album All The Pretty Little Horsies
2005:Six Organs of Admittance – Procession Of Cherry Blossom Spirits from the album School Of The Flower
2005: Iron & Wine – Upward Over The Mountain from the album The Creek Drank the cradle
2007:Leonard Cohen – Sisters of mercy from the album Songs of Leonard Cohen
2007: Matt Ellioot – The Ghost of Maria callas from the album Failing Songs
2008: Bon Iver – Flume from the album For Emma, Forever Ago
2009: Marrisa Nader – Ghosts & Lovers from the album Little Hells
2009: ROME – To die among strangers from the album To Die Among Strangers
2009: James Blackshaw Cross from the album The Glass Bead Game
2010: Jane Weaver – Hud a Llefrith – from the album The Fallen By Watchbird
2010: Hush Arbors – Bones of a thousand Suns from the album Landscape Of Bone
2010: Bonny Prince Billy Merciless and Great – The Wonder Show of the world
2011: Tamikrest – Fassous tarahet from the album Tounmastin
2012: Chelsea Wofle – The Way We Used to from the album Unknown Rooms
2013: Mazzy Star – Lay Myself Down from the album Seasons of your day

Here is the two artists I recommended from the list:

Tamikrest:
Trailer for the Album “Toumastin”

Trailer for the album Chatma (My sisters). A tribute to the woman and children who are often the victims of wars.

Bonnie Prince Billy:

10/5/13

The Amazon Local Hawaii Impact

Captain Cook Amazon Local Hawaii

If you take a look at the analytics of Daily Deals or Groupon royalty programs, you will see a steady growth throughout the last year. In fact emarketer reported reported that 92.5 million people redeemed digital coupons in 2013.

Here in Hawaii we have Foodlands Maika’I, or Safeway rewards programs. I would imagine in these instances the user data collected is far more valuable than driving customer behavior through discounts.

The new kid on the block is Amazon Local. Amazon Local has been slowly implementing its program from state to state in the past years. Hawaii has just joined the collective program.

Amazon Local is a promotional platform used to market local businesses through discounted digital coupons.
Amazon Local’s advantages include:

  • Amazon has access to more than 200 million active customers. This will allow you to leverage this user base.
  • Easy to use and secure payment system for existing Amazon.com customers.
  • Amazon won’t charge you for running the promotion on Amazon Local. Amazon received a commission when you deal sells.

What does Amazon get out of this? Aside from the commission per sales. This is yet another opportunity to grow the
Amazon brand. (Not that its needed).

Disadvantages:?

As I did my research for this article I reviewed a few blogs and sites outside of Amazon in hopes of finding disgruntled customers who did not like the service. The only results I discovered from my data mining uncovered kindle issues and problems with Amazon.com. Amazon Local received unanimous raving reviews. Does this mean that Amazon Local has no issues? At this time I cannot say.

More importantly Amazon local has arrived on our shores for better or worst. Will Amazon Local connect local business with local customers for the better? Or will it suffer the same fate as Captain Cook in attempt to improve a system that needed no assistance.

We shall see.

09/21/13

Hi ON Pixels Explorations : Volume 5 Dub

The High On Pixels Explorations Vol 5 Dub

Yet another midnight session completed of the High On Pixels Explorations.

Enjoy.

Track List:

1972:Dub Specialist — Always Dubbing – from the album STUDIO ONE DUB VOL. 2
1988: King Tubby – Soundboy Massacre – from the album Crucial Dub
1992: Alpha and Omega – Solomon and Sheba – from the album Watch And Pray / Overstanding
1994: Painkiller – Parish Of Tama – From the album Execution Ground.
1996: The Creation Rebel – Independant Man Part 2 – from the album On-U Sound – Dub Xperience: The Dread Operators
2009: Mount Kimbie – Serged from the album Sketch On Glass
2001: Twilight Circus Dub Sound System: Fams – from the album Volcanic Dub
2001: King Jammy Meets Dry & Heavy – Harmony Dub – From the album In the Jaws Of The Tiger
2003: Gregory Isaacs – Heatwave – from the album: In Dub: Dub a de Number One
2007:Deadbeat – Melbourne Round Midnight from the album Journeyman’s Annual
2009:Kanka – Skunky – from the album Righteous Storm
2009:Demdike Stare -Haaxan Dub from the album Symbiosis
2010: Flying Lotus – Quakes – From the album IIOIO
2013: The Haxan Cloak – Dieu – from the album Excavation
2013: Forest Swords – The Weight Of Gold – From the album Engravings

09/14/13

Hi ON Pixels Explorations : Volume 4 Glitch

Hi On Pixels Glitch

Thank you for your email submittals. As stated in the broadcast. I am attempting a step into Minimalism and in doing so will be giving away random items from my studio/room. How can you win such a lucky prize? If I pick your suggested genre I will send you a random item from my room via Postal Mail.

Submit all Genre requests to
Hionpixels@gmail.com

Here is your track guide:
1991: Coil – Disco Hospital from the album – Loves Secret Domain
1999: Alex Empire – Black Sabbath – from the album Miss Black America
2005: Venetian Snares – Twelve – from the album Infolepsy Ep
2007: DEV/Null – Goblin – from the album Lazer Trash
2008: Flying Lotus – Robertaflack (Mike Slotts other mix) from the album L.A Limited
2009: Prefuse 73 – Four reels Collide – from the album Everything She Touched Turned Ampexian
2010: The Books – Group Augentics- from the album The Way out
2010: Madlib -Tradition – from the album Beat Konducta In Africa
2011: Made In heights -Goblin Sigh (Wildflowers Instrumental) – from the album Aporia In the Streets
2012: Datacat – Santogold [datacat X tapeworm] from the album 9 Doors
2012:Fancy Mike – Hipster Crack – from the album Madison Square Gardner
2012: Shigeto – Ann Arbor Part 3 & 4 – Lineage
2012: Jai Paul- Baby Beats – from the album Jai Paul
2012: Dan Deacon – Guilford Avenue Bridge – from the album America
2012:ZongaMin – Zongamin – Bongo Song (Mr Flash Remix) – from the album No Lovie Frenchie
2013:Darkside:Golden Arrow – From the album TBA

This is the book by Rosa Menkam I quoted The Glitch Momentum

09/7/13

Hi ON Pixels Explorations : Volume 3 Yacht Rock

Hi On Pixels Vol 3 yacht rock

Aloha,

I present the High On Pixels Vol 3 Yacht Rock.

Tonights Tracks list.

197X: Dr Teeth & The Electric Mayhem Chopin
1973: ELO: Track entitled Showdown – from the album Third Day
1975: Country Comfort: Track: Make it with you from the album We are the children
1975: 10cc: Track entitled- Im not in love from the album The Original
1977: Steely Dan – from the album AJA
1977:Player” Baby Come back” from the album Baby Come Back
1993: Greenflow – I gotcha from the album Gotcha
1999:Groove Armada – Dusk you and me from the album Vertigo
2000: Handsome Boy Modeling School- Sunshine: From the importSunshine
2010: Gayngs “The Gaudy Side Of Town ” From the Live performance The Last Prom on Earth
2011: The Step Kids – Legends in my own mind from the album The Stepkids
2011: Toro Yi Moi – Divina from the album Underneath the pine
2013: Inc – The Place from the album No World
2013: Vondelpark Dracula from the album Seabed

Mahalo for your emails and for supporting the show.

09/2/13

Stranger Aeons – By Mike Limatoc

dark_room

Tonight we bring you a tale of existentialism crafted by our talented author Mike Limatoc.

Stranger Aeons

The parking was nearly barren, save for a few lonely cars parked in the stalls marked ‘Reserved Staff Only’. I could hear a siren echoing somewhere in the distance, knowing in my mind that with the course of current events, it was all to no avail. The glass sliding doors beckoned me inside as I stepped into their view. There was no one initially there to greet me, as there had been so ample a staff just a few short months back. I made my way over to the main desk in the lobby, and began to scratch my name onto the sign-in sheet on the counter. A soft feminine hand met my shoulder.
“Mr. Hawthorne, there’s no need to sign in. I’ll take you right to him.” The nurse was wearing a typical blue set of medical attire, relatively stain free of blood and what else I would expect her to be encountering on a normal basis. She led the way down a long, barren hallway, littered with bits of paper and sheets that lay crumpled across the floor. Each and every room we passed was empty, void of that normal electrical hum that you could hear from a proper room of that nature. “We’re the last hospital in the state that’s still in operation.” Her eyes were empty, staring straightforward as she spoke to me. “There doesn’t seem to be much of a point anymore, not since everything started happening. Not since, he arrived.” She finally locked gazes with me, a forlorn look taking over right when we arrived at the proper door. “You’re the first visitor here this whole month. And you’re still the only one that visits him.” I nodded at her, smiling as I left her standing alone in the hallway, closing the door of the room behind me.
The slow and steady beep of a heart monitor sounded as I entered. I had to breathe deep and control my own heart from going out of control with the fear that started to grip my bones. The same fear we all feel when we meet or experience him for the first time. I wondered when the world would ever see him again, then I turned the corner of the room and saw him myself.
He was thinner than the last time I saw him, a series of tubes and wires jutting from gaunt wrists and bone-thin arms. He was set at an angle against the bed, sitting up just slightly as to not allow any fluid to flood his lungs. Lungs. I wasn’t even sure if he had lungs. He barely skin, if you wanted to even call it that. At times, he was just a skeleton, a, jeering skull peering out from where his face should have been. At others, he was simply human. It all depended on how he wanted you to see him. But now, he just lay on the hospital bed, harsh breaths rasping forth from his mouth every few seconds. His black wings outstretched and perched open beside him, ebony feathers scattered amidst the life support machines. Now, he was just another dying man. He turned his hollow eyes to glare at me.
“There was another plane crash today,” I said under my breath, raising it only when he slowly nodded. “Somewhere in Pennsylvania. Not a single casualty. The plane itself was just a smear on some farmhouse field. Not much more to be said of all the passengers.” I tried to keep the image out of my head before the words even escaped my lips. “They were all still alive. Every one of them. Every twitching piece, every screaming severed face. The first responders tore their own ears off. They couldn’t handle the voices or the screams.”
“How long has it been?” He breathed in as he spoke, coughing out before he continued. “Since I’ve been here?”
“A month.” I had to stop myself from saying more, from remembering all that had happened in that short time to throw the entire world into turmoil. All because of this one man. If you wanted to even call him only a man. “What happens when we lose you?” There was a sound like grinding and grating stones. It was the short following breaths that made me realize he was laughing. I saw his face again like I had seen it the first time: a fleshless, leering skeletal thing that made my flesh crawl.
“Only now are you realizing how much you need me around. Isn’t it sad, that the things we discover we need are only after a time of loss?” Damn it was he right, but in a way I’d never thought anyone could be or would be ever again. We needed him. He made our daily lives worthwhile, gave us meaning where we might only struggle to find it in other places. Perhaps that’s why the world and society as a whole had crumbled in on itself without him, without him, life no longer had any purpose.
“So what happens when the world can’t take any more of this? When the old just keep getting older. When suicides go unaccomplished. When car accidents, train wrecks, terrorist attacks and wars all come up fruitless in their efforts. What happens then? What happens?” I was shouting at him. I never meant to shout. I was sick, inside and out. Sick. With guilt. He answered my emotional outburst with a single, skeletal smile.
“You tell me. And while you’re at it, don’t forget to thank the real reason for this glorious mess. Whoever it was that stole my power, he’s the cause of all this. You need me.” My stomach turned in on itself again, twisting and turning at what I’d done to the entire world. What I’d sentenced all of us to. How I’d damned all of humanity. “You’ve always needed me.” His voice trailed off into a harsh whisper, the bony jaw of his face going slack. The heart monitor ran into a steady tone.
And then and there, I watched Death die.

08/24/13

Hi ON Pixels Explorations : Volume 2 KVLT Rock

HIONPIXELS  VOl 2 KVLT ROCK

Track List:

01 1982 Venom – Track:The Witching Hour from the album Welcome to Hell
02 1982 Pagan Altar – Track:The Black Mass from the album Pagan Altar
03 1984 Slayer- Track: Black magic from the album Live Undead
04 1998 Celtic Frost – Track : Procreation of the wicked from the album Morbid Tales
05 2004 Sun Burned The Hand Of Man – Track Every direction/The first degree from the album No Magic Man
06 2008 Grails – track : Belgan Wake Up Drill from the album Black Tar Prophecies
07 2008 Menace Ruine – Track The Die is Cast from the album The Die Is Cast.
08 2010 Death Spell Omega- Track: Abscission from the album Paracletus
09 2011 Subrosa – Track:Borrowed Time Borrowed Eyes from the album No Help for the Mighty Ones
10 2011 Earth – Track: Hell’s Winter from the Album Angels Of Darkness, Demons oF Light vol 1
11 2012 Chelsea Wolfe Track:Pale on Pale from the Album Apokalypsis
12 2012 Aluk Todolo Track Occult Rock from the Album Occult Rock
13 2013 Altar Of Plagues – Track:Scald Scar of Water from the album –Teethed Glory & Injury

08/22/13

The ‘Ulu‘ulu perpetual archive

Uhane Path of history

In Moke Kupihea’s the Kahuna Of Light, he outlines the importance and tragedy of uhane.

The uhane refers specifically to the life spirit. At death, the remnants of the spirit still cling to the body, but the uhane is not immortal. It dissipates at the end of each generation, unless it is held in consciousness by the following generation.

Fortunately through technology we can preserve much of the rapidly vanishing landscape of our culture through modern archiving.

‘Ulu‘ulu: The Henry Ku‘ualoha Giugni Moving Image Archive of Hawai‘i aims to perpetuate and share the rich moving image heritage of Hawai‘i through the preservation of film and videotape related to the history and culture of Native Hawaiians and the people of Hawai‘i.

ʻUluʻulu is a Hawaiian word meaning collections, assembly, or gathering. The archive is not just a collection of moving image items, but also an assembly of voices, communities, and stories; a gathering place for people to share Hawaiʻi’s culture, traditions and collective memory.

Here is a clip of Representative Jo Jordan with Heather Giugni about `Ulu`ulu: The Henry Ku`ualoha Giugni Moving Image Archive of Hawai`i located at UH West O`ahu.

The Henry Ku‘ualoha Giugni Moving Image Archive of Hawai‘i

08/16/13

Hi ON Pixels Explorations : Volume 1 Post Minimalism

Volume-1

Aloha!!!

Tonight we are introducing a new segment called the Hi ON Pixels Explorations. We basically select a user submitted genre (this week is Post Minimalism) and select an hour’s worth of tracks form our records. We then play the soundscape at 11 PM Oahu time to midnite for your listening pleasure.

Please submit any genre requests to Hionpixels@gmail.com.

Track list

01 1971 : Terry Riley and John Cale – Church of Anthrax from the album Church of Anthrax.
02 1971 : Kraftwerk track: Franz Schubert from the album Trans Europe Express
03 1984 : 23skidoo -track: Drunken Reprisal from the album Urban Gamlan.
04 1994 : Aphex Twin – track: Hexagon from the album: Selected Ambient Works
05 1999 : COH – track :Silence is golden from the album: Vox Tinnitus.
06 2012 : Pye Corner Audio – track: They Know from the ep single.
07 2012 : Burial – track: Truant / Rough Sleeper from the single: Truant / Rough Sleeper.
08 2013 : Halls – track: White Chalk from the album: Ark
09 2013 : Young echo – track:Jupiter Rise from the album: Nexus
11 2013 : Pantha Du Prince and The Bell Laboratory – track: Wave from the album: Elements of Light
12 2013 : Boards Of Canada -track: Reach For the Dead from the album: Tomorrow’s Harvest.

08/14/13

Zen and the Art Of Traffic Maintenance

Traffic

On Aug 4th 2013 Honolulu was rated the third most congested traffic city in America.
Traffic itself may seem to be caused by random elements at play…sometimes more, sometimes less.

If there is an accident = traffic occurs
If school is in session = traffic increases
If it’s summer break = traffic decreases
More freeway lanes = more throughput?

Are these the only factors controlling the eb and flow of traffic?

In fact, this a field of study called Car Traffic Dynamics or Traffic flow. Traffic dynamics attempts to use mathematical models with variations of speed density and flow to give order to the phenomena.

Without getting into framework of traffic physics, here are a few rules in plain text that attempt to dispel some of the mysteries of traffic flow.

1. TRAFFIC JAMS
The idea of easing a traffic jam by slowing down early and rolling through it is a well established on in the field of traffic engineering. Cars have powerful brakes and generally stop five times as quickly as it can accelerate back up from a stop. Once traffic stops, the second row of drivers cannot accelerate before the first row has already moved on. The result is that traffic jams move in waves that go against the direction of traffic and across gaps of about 50 meters or so.

The theory states that, once a column of car stops at a jam and stands still for a given amount of time, it will take five times more for it to return to flowing traffic. This builds up through the entire traffic jam as the cars stop and go. This style also results in increased fuel waste and a great risk of rear-end collisions.

2. MERGING
In many European countries, the driving culture is such that dictates that in areas where traffic merges from the right at an access ramp or from a blocked lane, it does so in a “zipper” fashion, where each car from the flowing lane allows one car to merge in before it and then goes. This allows the traffic to distribute 50-50 without hesitations and problems.

Trying to apply this method when you merge or allowing other cars to merge, is a good idea, even if one or two more cars jump on the oppurtunity and push their way in front of you.

Another good idea is to delay and smooth-out the merging action. The less sharper the angle in which traffic is merging, the easier it allows traffic to steam more freely. In merging left, the later you merge – the better. In merging right – the earlier you merge, the better.

So, as you get on the access ramp, don’t just push your way into traffic. Instead, identify the gap you want to merge into and accelerate down the entire slip road while merging at a shallow angle.

If your lane is blocked, you should apply the same approach, but still merge early enough so that you don’t need to slow down needlessly. If you merge too late, you will have to slow down or stop in front of the blocked part of the lane, which will make merging much more difficult.

3. LANE USAGE
Using the right lane as legally required does a lot to help traffic flow. In European countries where lane discipline is practiced commonly (due to higher speed differentials between lanes, as speed limits are much higher), you can see traffic flowing at speed in situations where in the US it would start to congense and slow down.

Keeping right and passing on the left is really important. Like with merging, lane changes should be gradual. When you spot a slow-moving vehicle, you should accelerate until you are just two-three seconds short of it, while merging at an angle. Once past it, with a clearance of about two-seconds of a following distance, you should immediately merge back right, again at a shallow angle.

4. EXIT RAMPS
The exit ramp displays the same principle as the access ramp, which is to seclude speed changes, i.e. traffic which is accelerating or decelerating, aside from the steady-speed flowing traffic on the main carriageway. So, just like you are supposed to use the whole length of the access ramp, you are supposed to tuck right into the exit ramp as early as possible, and start slowing down only once inside it and not on the main carriageway.

5. SEPERATION SPACE
The separation space between cars helps to reduce the so-called “anti-traffic”, better known as the professional term of “resistance.” When tailgating the car in front, you are in fact blocking your view at the road ahead and cannot see any changes in the traffic flow or any congestions or slow downs. Also, once the driver in front so much as dips the gas or touches the brakes, you will have to brake ever more harder to maintain your small space.

Drivers tend to bunch up, as if driving in a group. In these conditions, you can create a “chain reaction” which will form a mysterious “shockwave” jam hundreds of meters to the back. So, the solution is to keep two FULL seconds at least, and more when unable to stop as quickly or when the driver in front is blocking your view, or in bad road or visibility conditions, or when the driver behind you tailgates you.

Even if other drivers push their way into your gap, it makes little difference, because they will usually be only a few of those, and they usually leave you at least one full second of a following distance, as well as depart quickly and move on up the line. Even if two dozen drivers were to push their way in front of you and remain therein, the loss of time would be a mere minute!

The separation distance is also important at stops. It’s important to slow down and stop early to see that the car behind you, as well as the car or two behind it slows down and stops without shounting your behind. Stopping early allows you to move forward to free up some more space, as well as maneuverability to swerve aside, even to mount a curb, to avoid being shounting from behind. After they stop, you can move forward.

Even with a column of cars safely stopped behind you, it’s important to keep a good few feet, almost a full car length, free in front. Do this by maintaining such a space where you can see a few feet of tarmac separating you from the car in front.

6. SPEED
Driving at the speed suitable to the conditions and the speed of the flow of traffic is important. Being slower than the flow of traffic or than the speed suitable to the conditions is not helpful, only harmful.

When traffic congestion begins to build up, speed has to be reduced so that the jam is allowed to “free up” before more cars can be fed into it from behind. This is why some highways are monitored and have electronically determind speed limits, meant to prevent the traffic from stopping needlessly and to keep it moving.

7. AWARENESS
Being aware to what is around you is really important. You should notice traffic congestions as early as possible by keeping a clearance in front of your car and looking far ahead to the front of the queue. It’s also about checking the mirrors, interior and side mirror – frequently.

For general use, you should check your interior mirror every five seconds and your side mirror/s every seven seconds (i.e. two second after you check the interior mirror), which means a mirror check 10 times per minute. In thin traffic you can reduce this to five times per minute and in heavy traffic to fifteen times per minute.

You should also recheck mirrors at least twice at each lane change (before the lane change and once while merging), and when slowing down – slow down early and check mirrors at least twice. Also check mirrors before junctions and interchanges. Try to play with the gaps to keep a clear space to one of your sides at least.

A good gap behind is when, at speeds of up to 30mph, you can see the head-lights of the following vehicle. At higher speeds, you should see its tires and at even higher speeds you should see some of the tarmac between the two of you.

8. ACCELERATION
It’s important to accelerate freely at access ramps or lane changes, but it’s important not to accelerate quickly in congestions, because it might make you brake just a minute later…

9. DECELERATION
Slowing down early, even if you do stop, is important because it gives you time to check your behind and allows to manage the traffic behind you and form a slow-moving column. If you slow down early enough, you will still be moving at speed when the car behind you catches up with you and when the car behind it catches up with it. This protects your behind and allows you to lead them through congestions.

In closing to quote the British mathematician Jacob Bronowski
“Man masters nature not by force but by understanding” In this understanding we may also appreciate the disorder and complexity of Traffic Flow.

Further reading :

Physics of Green Waves

M.I.T Mathmatical Traffic Models