06/19/13

The Hawaii Turntable Alchemist.

Record_alchemy

Alchemy, even at its origins has been about transmutation. From the esoteric Hermetic, who through various forms of transcendence attempted to reach the bodies state of perfection, to the modern day chemist who attempts to transform molecules to produce everlasting energy.

Both practices use elements as a foundation and produce wonders through transformation.

DJ Sho’s periodical table is his vast record knowledge and influences of music styles, transformed into gold by his turn tables and DJ skills beyond measure.

I had the privilege of meeting this modern day alchemist and asked him about his craft.

When did you start DJing, how did you start and how long have you been doing it?

One night in 1997 when I was in high school back in Pittsburgh, I went to a house party and that was the first time I saw a DJ in real life. I literally stood there and just watched the DJ all night thinking to myself, “that’s what I want to do.” I was amazed on how he was mixing with vinyl and going through crates of records looking for the next song to play. Then, I remembered hearing him scratch. I was stunned! I didn’t have the money to buy my own set at the time and I remembered going to the downtown pawnshops every chance I can to look at turntables and mixers hoping one day I’d have them. By my senior year, I finally save enough money to get my own set. My friends and I would practice almost every day after school. We slowly got better and better. For the first 2 years, I was pretty much a bedroom DJ. I eventually started working for a mobile DJ company for about 3 years and then for the last 9 years working at various nightclubs here in Hawaii, San Francisco, San Jose and Las Vegas.

Do you have a particular style of DJing?

I still consider myself part of the old school generation. I grew up learning on vinyl. I also favored the turntabalist side of DJing. That is, I love to scratch and juggle records. It has an added visual performance to my sets. I also grew up listening to a lot of soul music like Marvin Gaye, Stevie Wonder, Michael Jackson, etc… So during my sets, I love to scratch some tracks hear and there but at the same time, I love sampling old tracks where people could recognize that certain melody, hook, or instrumental. Lastly, whenever I can, I try to play some “Golden Era” artists like Beastie Boys, De La Soul, Rakim, etc…

Who would you feel is the crème de la crème DJ of our time?

Without a doubt I feel that DJ Qbert is the “crème de la crème” of all the DJs. He takes it to a new level when it comes to scratching. Just when you think there’s nothing else that can be created or done, he showcases something from outer space. He keeps inventing new scratches and combos all the time.

Can you name some of your influential DJs?

Two of the DJs who have influenced me are DJ Qbert and DJ Packo for their scratching and creativeness. They both take it to a new level and always inspire me to achieve the same level as them. Next would be DJ Craze for his ridiculous juggling routines. I love the group C2C for their “soul” style and their performance as a DJ group. Locally, I enjoy listening to DJs KSM, Eskae, & Delve for their amazing library of music. They always play hidden gems.

DJ Q-Bert

What was the one the most difficult challenges you overcame in DJing?.

By far, the most difficult challenge I had to overcome was the first time I entered a DJ battle. I had already been DJ’ing in clubs for a couple of years and was very comfortable with it. But when I entered the first Mai Tai DJ battle a couple of years ago, I was so nervous. My hands couldn’t stop shaking for the first couple of minutes during my routine. My heart was pounding knowing that almost all the DJs on the island was there and all eyes were on me. It took a lot of nerve to walk up onto the stage. But I’m glad I did it and the next couple of battles weren’t as nerve racking as that first time. I would recommend that all DJs try to enter as much battles as they can. It built up my skills and eventually got my name out there more which ended up getting me more gigs.

Dj Sho Scratch Video (Go Dj)

What’s the best way for someone to start the craft? How important is it to find a mentor?

It’s a lot easier now to start learning it. Back when I started there weren’t many people doing it, so it was difficult to practice. Nowadays, there are so many resources for upcoming DJs. The setups are cheaper now; it’s easier to DJ with just a laptop and a hard drive filled with mp3s, compared to carry around a hundred pounds of records. Also, youtube is very helpful for anyone to learn any aspect of DJ’ing. I still do recommend a mentor. Nothing is better than a one-on-one training session. My mentor is DJ Big John. He’s been DJ’ing for..I don’t know how long. He’s from the old school era. He taught me a majority of what I know now when we worked together at The Celler back in early 2000s.

DJ-SHO

How has DJ’ing evolved through the years? From the Sugar Hill Gang to the C2C franchise?

Just like everything DJ’ing has evolved with technology. Before, all you needed were two turntables, a mixer, and your favorite records. Now, with the introduction of Serato and Traktor, DJs store all their music on their laptops instead of lugging around crates of records. This makes it easier for DJs and they have bigger libraries when they go to gigs. Nowadays, you don’t even need a turntable, which weighs about 35 lbs. Another thing that was introduced to DJs was the midi controller. This gave DJs a chance to become more creative with their sets, which eventually led to the new type of DJs called “Producers.” With their midi controllers and programs like Logic, Sound Forge, and Ableton they are to create songs and beats live during their sets.

What is your gear setup? What do you use?

The tools of the trade are two Technics sl-1210MKII, Rane TTM-57 mixer, Vestax PMC07 mixer, Sony 7506 headphones, pair of Shure M44-7 needles w/ extra stylus’, and an Akai MPD26 controller. At home I use vinyl but for gigs I take my Macbook because it’s a lot easier to bring music plu,s it’s not as heavy as one crate of records. I get my music from a couple of online subscriptions sites I get free subscription because I’m a club DJ. A subscription can usually run a new DJ about $50 each.

DJ SHO scratch clip

How do you see DJing in the next 10 years? Technology, Styles?

In the next 10 years, I feel that a lot of new devices will be introduced to DJs. New battles will be created because of technology. For example, the famous DMC battle were usually held at different cities every year. But now they have enabled online submissions, so that everyone can enter without having to travel to another city or country. But for DJs like myself, I will always stick with turntables and stay true to the old school ways.

Where can someone go to see your shows or hear your mixes?
Every other Fridays at Pearl Ultra Lounge at Ala Moana Shopping Center and every Saturday at Rumfire, located in the Sheraton Waikiki Hotel.

DJ SHO at Live Lounge at Pasadena

Complete the sentence: I will survive the zombie apocalypse by…

…going down a hill on a fixed gear and pray I can keep up with the pedals.

Contact Information

Visit DJ Sho
Email DJ SHO
Instagram SHO
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06/16/13

Revolution Books Hawaii

Logo When one thinks of book stores in Hawaii, common images would be Hawaiiana, hiking maps, best eats, or tourist attractions. What about books on revolutionary commentary? Probably not. I am proud to say that we have such an establishment in our Aina. Today I interview one of the patrons of Revolution books who has been frequenting the store since the eighties .

What can you tell me about Revolution Books?

The store started in the 1970’s by Bob Avakian, exactly when, I’m not sure. But the first store was located in Kalihi. Since then they’ve moved around and are now located near Pucks Alley. I wouldn’t call it a franchise, however, they are related to other rev books in the states. How many are left, I’m also not sure, but there probably some still in existence in big cities like LA, and NYC. It is run by members of the RCP (Revolutionary Communist Party )
The chairman of the party is Bob Avakian, who exiled himself to France? ” Bob is more than that: he’s an innovative and critical thinker who has taken Marxism to a new place; he’s a provocative commentator on everything from basketball to religion, doo-wop music to science and he’s a pit-bull fighter against oppression who’s kept both his solemn sense of purpose and his irrepressible sense of humor.”

What can you find in Revolution Books?

The bookstore carries RCP literature, Mao, Marx and Lenin literature and tons of other things on social issues. They also carry poetry books, do film showings and have discussions on current issues. Lots of stuff you can learn; you can gain a whole new perspective on imperialism and how it affects us all. They have T-shirts, posters and maybe kids’ books from the cultural revolution in China.
The store supports local issues as well, and in the past has been a gathering place for all activist, not just rcp members to meet up and make signs and plan out demonstrations etc…. Lots of info on domestic issues like women’s rights, abortion and immigration. The new perspectives really make you see clearer, like putting on glasses for the first time.

What are some of the example of film screenings?

    (Model Ballet: The White Haired Girl)

The Invisible War

Is there any academic support for bookstores in Hawaii?

Some professors at UH support the bookstore by recommending their students to buy their books there. It is overall a good place to have on our island, if just to get another opinion on issues.

Bookstores like Revolution Books in Hawaii are invaluable sources of unfiltered information.
Stop by and visit or attend one of their book reviews and or film screenings.


View Larger Map

Revolution Books Hawaii Website
Store Events

05/14/13

The Kipuka Database Project

Killian-Eng-Portal

Kipuka Database Map launched April 25, 2013. The goal of the Database is to give instant access to more than 5,000 Native Hawaiian land awards, nearly 10,000 historic sites, and various ahupuaa boundaries.

The Database operates much like a geolocation search locator. Giving the user a virtual map to explore with various tabbed searching filters.

The Kupuka Database is using a MS SQL platform to house its instances. I believe the interface was designed using MS Silverlight in conjunction with ARCGIS.

All in all I am very impressed by BEI’s efforts in design and implementation. The Kipuka Database gives us the tools to rediscover the Aina in today’s modern digital landscape.

Links
BEI Consultants
The Kipuka Database

04/24/13

Ka au Poolipilipi O Kalihi

Giuseppe Randazzo-Fractal Art Using Algorithms

In the olden days there were a man and a woman who loved each other and stole away to hide in the forest without the knowledge of the girl’s parents, and indulged their passion. A little patter of rain fell on them but they paid no attention to it. After a pause, one went to see if the rain had cleared. It had not and they fell asleep. After some time
they awoke, and found the rain still falling and again went to sleep. For several days and nights the two slept and the rain fell. At length they woke and found that their heads had been sharpened and flattened from the long sleep while the rain fell, day and night. Hence it is called Ka au Poolipilipi 0 Kalihi “the rain that sharpens the heads in Kalihi”

Poepoe Coll
HEN: Vol II, p 155

04/17/13

Rise of The Replicants – The Last Days of The Slipper House

The Slipper House
In Ridley Scotts Blade Runner, we are shown a dystopian Los Angeles cityscape marked with floating advertisements, fluorescent neon storefront signs and the remnants of a culture that once stood.

I feel the same way walking into Ala Moana Center. Flashing signs to grab my attention, the rush of vendors trying to hock their wares at me. Is this a true representation of Hawaiian commerce? Or the amalgamation of out of island investors and property managers who have no grasp on long term local interests?

One the original tenants of Ala Moana Center, The Slipper House, is not only a local favorite for over 54 years but has been a destination for visiting tourists.

The Slipper House was founded in 1959 by Kiyoto Uejio.

“His inventory came on consignment through his older brother, Fumio, who imported rubber slippers, fancier straw-covered goza slippers and Japanese dancing slippers from Japan. Uejio didn’t want to sell anything more because he wanted his store to stand out.”

The style has evolved over the years from beach footwear to affordable sandals.

Kiyoto’s son, Glenn Uejio is a musician who earned an undergraduate and masters degree from the Eastman School of Music in Rochester, New York. A clarinetist, he previously performed with the Honolulu Symphony and taught music and band at Oahu high schools. He joined the store in 1978 after becoming weary of a music career.

The Slipper House philosophy’s has always stayed the same throughout the years.

“Glen holds five-minute staff meetings three times a day. In a back-room stairwell, employees post daily notes about what’s on their minds — everything from family stress since Sept. 11 to thoughts on how to display merchandise better. The notes are posted near another wall that has more permanent messages written by the staff explaining why they are proud to be working at The Slipper House.”

“Once a month, Uejio organizes one-hour staff meetings at places such as Haiku Gardens on the Windward side, aboard the Star of Honolulu dinner cruise, or near the ocean’s edge.”

“The business books say the customer comes first,” Uejio said in a 2002 interview. “No. The employees come first.”

The average employee stays nine years, longer than the average worker in retail, where turnover is relatively high. And Uejio said he hasn’t had to advertise for an opening in more than 20 years.

Sadly in last November (2012) General Growth Properties notified the store’s owner, Glenn Uejio, that it was terminating his lease at the end of May.

“Since then, Glenn has been trying to find jobs for his 19 employees. Uejio met with executives of 13 Hawaii companies hoping to find new jobs for his 19 employees and said he’s close to securing new work for all 12 of his full-timers.”

This is a common theme we have been witnessing throughout the years in Hawaii.

Returning to our comparison of Blade Runner, will the artificial consciousness of Ala Moana awaken to find itself devoid of the Aloha spirit? Or will Ala Moana Center remain another replica of every other mall one can find on a tropical island.

Sources
The Star Advertiser
The Honolulu Advertiser
Blade Runner

04/3/13

Ulukau the Hawaiian Electronic Library

Door to open The purpose of Ulukau, the Hawaiian Electronic Library, is to make these resources available for the use, teaching, and revitalization of the Hawaiian language and for a broader and deeper understanding of Hawaiʻi.

Ulukau is a coined word given as the name of this web-based library. The word refers to unexplained supernatural interpretive powers. It is the hope of the authors of Ulukau that in the same way that unexplained supernatural interpretive powers can be divinely given to a person, so knowledge and understanding can come to the person who makes the effort to read the language and the words of this electronic library.

The backbone of the Ulukau is ran on the Greenstone open platform . Developed by with UNESCO support at the University of Waikato, Aotearoa (New Zealand).

Links

The Ulukau Database

03/27/13

Ike Pono

Ike Pono

The concept of balance comes up frequently in Hawaiian thought and is pivotal to it. The English word does not fully describe the Hawaiian idea of Pono, in which all is right with the world and all aspects of life are working harmoniously together. For optimum life, balance was considered necessary, first of all, among parts of nature–humans, animals, birds, plants, weather, water, land, and sky; among the female and male polarities; among the gods, demigods, and spirits, greater and lesser, and the humans who interacted with them; and finally, among the members of the extended family, the community, and the various strata of society.

The Hawaiian view also held that a healthy life maintained balance between the material and spiritual realms, and these were not to be separate from one another.

03/19/13

The Kakaako Concrete Canvas Project – POW WOW HAWAII

Kamea Hadar and Rone

I looked up the word “pow wow” and this is the description I got from Wikipedia: A pow-wow (also powwow or pow wow) is a gathering of North America’s Native people. The word derives from the Narragansett word powwow, meaning “spiritual leader”. This is a fitting term for the social art event known as Pow Wow Hawaii, because much like the native gatherings around a “spiritual leader”, the communities and local artist in Hawaii have gravitated to the purity of this agenda. Likewise, a globe of artists who value process and love of art and creativity over upsells and franchising, are taking notice of this truly artistic endeavor. Jasper Wong is a world renowned contemporary artist, and has the spotlight for conceptualizing Pow Wow Hawaii.

A social event that has roots in Hong Kong and brings local communities, local artist, and world recognized craftsmen and creators together to paint murals around Hawaii. An annual get-together for the celebration of the creative process. A no-holds barred, whirlpool of painters, conceptual artists, taggers, tattooists, sculptors, musicians and inventive minds on the streets of Kaka’ako, Honolulu, Hawaii in February. No one is turned away from the art for lack of knowledge or class, the community is entrenched in the concept and the murals seem to take on a life of their own because of this fluid method.

Hawaii has always been a breeding ground for beautiful expressions. Art is in the culture and all around in the scenery. Jasper Wong’s ultimate goal of changing the aesthetic of our state to a work of art itself, with no boundaries of where one creative mind begins and another one ends is nothing but pure elation to my mind. Can you imagine if this had been a socially acceptable process in the past? If I could visit Manhattan and walk down the streets laden with the art of the local community and all the great talent that have passed through, or called New York home? A painting started by Pablo Picasso, amended by John Lennon, washed over by Andy Warhol, with contributions from the local street artists. That alone is an inspirational thought. The fact that it’s taking shape in our world today gives hope that even without the government support that the Arts needs, it can’t and won’t be stopped, and a new generation of intuitive minds and open hearts are pushing the boundaries so that the future of the Arts is kept bright.

The 808 Urban x POW WOW Hawaii Youth Art Workshops finally give a place where young “Urban Artists” can learn in after school and Saturday art classes. These workshops explore contemporary art and its influence on commercial culture from the past and present. Students learn about changing social notions regarding contemporary public “street” art, while exploring a multitude concepts, including design, color theory, symbolism, and artistic elements. The overall teachings are of self-expression, cultural awareness, as well as respect for community and nature. Pow Wow Hawaii is a shining example of how art influences culture for the better, and that the human element is most important in views and validity of expression. I can only hope the all the major cities in world follow suit and life becomes one giant art gallery, full of collaborative hearts and minds.

Article by Allen Wilson

Links

Solomon Enos
POW WOW HAWAII HOME PAGE
Allen Wilson’s Email

03/12/13

The Honolulu Aquarium Society

The Hobbit Aquarium

Living in Hawai`i, we are very luck to be a part of a very unique and involved community of local hobbyists that are extremely passionate for their cause. Of course, I’m speaking of the local aquarist scene. I’m not sure if it’s our proximity to the ocean (Father Dagon be praised), or the variety of mixed Asian and other cultures that have formulated this environment, but the fish enthusiast that wishes to find another passionate comrade doesn’t have to look very hard.
One such an organization that has been encouraging local aquarium hobbyists to gather together and share their knowledge and experience for a number of years is the Honolulu Aquarium Society. At their meetings every first Friday of the month, members are welcome to join in on educational presentations on aquarium related topics, participate in the society sponsored auction and raffle, and just have an all around good time discussing their favorite fishy things with those of a similar sense of sanity! If you’re interested in becoming a member, or even just in stopping by and seeing what the HAS is all about, follow the link below for more information.

And even if you’re not a hybrid child of the sea, feel free to come down and seek me out as well! Mother Hydra be praised!

Links
Honolulu Aquarium Society Web Site
Honolulu Aquarium Society Forum

Article by contributor Mike Limatoc

03/6/13

Do.co.mo.mo Hawaii

Aerial view of Lanai City in 1929. -Photo Courtesty of the Lāna`i Culture and Heritage Center

Aerial view of Lanai City in 1929. -Photo Courtesty of the Lāna`i Culture and Heritage Center

Urban design, like its sister art architecture,
is a people’s use of an accumulated technological knowledge to control
and adapt the environment for social, economic,
political and religious requirements. It is the method
learned and used by a people to solve the total
programme of requirements for city building. The
city is an element of a people’s spiritual and physical
culture and, indeed, it is one of the highest
expressions of that culture.

Urban design Street and Square : Cliff Moughtin

Docomomo Hawaii is a non-profit group dedicated to promoting public education on the preservation of Modern architecture in the Pacific Islands. Docomomo Hawaii is a subset of a larger entity Do.Co.Mo.Mo_ US
International working party for the documentation and conservation of buildings, sites, and neighborhoods of the modern movement.

The Hawaii chapter of Docomomo US is comprised of members of key local architectural, design, preservation and museum professionals from the private and public sectors. The Hawaii chapter aims to promote public education on Modernism in the islands by cataloguing, preserving, restoring and renovating Hawaii’s unique modern architecture and public art; identifying aspects of the modern movement that are applicable to Hawaii’s environment and culture; conducting an oral history project among senior Hawaii architects and developers of our modern environments; and building a model Docomomo chapter that also has a lot of fun.

Often times we may have forgotten old designs and structures in Hawaii, like Byron’s Drive Inn, The Old Stadium, or Castle Park. Here is a brief disscusion on a related topic called Psychogeography.

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